The latest news about Panasonic is to launch a new series of OLED TVs. However, for those shy friends, in addition to OLED TVs, traditional LCD TVs are still a very good choice. In addition to Panasonic's new OLED TVs, the company also introduced a new EX750 series of LED TVs and adopted many new technologies.
Like the 2016 models of DX802 and DX902, entering the 2017, the EX750 series is Panasonic's most high-end LED TV products. From the appearance, the silver frame plus X-type base, at first glance, is very eye-catching.
Among the 50-inch and 58-inch EX750 series, the most surprising is the design that can rotate and adjust the angle. We can adjust the screen to a suitable angle and switch between four different heights. So apart from this traditional way of putting on a TV cabinet, we can even put the TV directly on the ground.
However, considering the size and weight, the 65-inch EX750 only supports rotation and does not support height adjustment, while the 75-inch version does not support either.
For the EX750 series, the most important innovation is the so-called “digital zone enhanced dimming†technology, which enhances the LED TV area backlight adjustment function, and can output different amounts of light, and uses a new processing system. And this system can cover every corner of the TV, allowing the light source to reach all corners more effectively.
Panasonic seems to have had enough confidence in his own technology, and demonstrated it in an all-black room. The demonstration effect left a deep impression on me. In the dark environment, the dark and light details of the picture are distinct, and occasional elements such as car headlights become very prominent. Compared to the DX750 next to it, the EX750's processing performance is far superior.
In the performance of pure black level, EX750 has improved, and the contrast with gray has become more apparent. In addition, in the details of the shadow area, the EX750 can also display enough rich content, not only rich, but also in the shadow area under the color transition. When using the EX750 to view photos, it is also more colorful than the DX750.
What impresses me most is that the EX750's full backlighting mode is very stable, although there will be a bit of edge light leakage, but it is already very inconspicuous, and in the black scene, the EX750's performance is enough comparable with OLED TVs Now.
The EX750's screen panel is prone to reflective problems, especially in bright showrooms. Especially the backlight adjustment technology still has some problems under the maximum brightness, so the EX750 is more suitable for working in dark scenes, and the contrast is less obvious under light irradiation.
Although the maximum brightness of the EX750 is less noticeable in a bright environment, there is an important advantage that the EX750 has a separate backlight brightness adjustment function compared to the DX750. In the brightness adjustment function, because it is a 4K ultra-high-definition HDR TV, the peak brightness of the EX750 is only 550 nits, which is more obvious than the current requirement for the best value of 1000 nits.
Therefore, in a bright environment, there will be slight loss of hue and detail when the HDR mode is displayed on some screens.
Interestingly, Matsushita stated that the "Super Bright Panel Plus" technology of the EX750 can bring a brighter average water quality than ordinary HDR TVs, especially compared to mid-range HDR TVs. This means that the EX750 performs more evenly in terms of brightness consistency. This kind of performance also has some truth, because most people will watch TV more often in bright rooms.
Of course, the EX750 is more dynamic than the DX750 next to it. Coupled with the more eye-catching high APL values ​​and the pure black level, the EX750 is definitely better than the average HDR TV at its default settings.
In addition, the Panasonic EX750 is currently the only LCD TV to support the Studio Master HCX2 technology, which means that the EX750 has 3D Look Up, a technology that previously only appeared on the Panasonic flagship model. This technique is to provide a more accurate color performance than mid-range televisions.
At present, if we simply can't judge on the technology and effect, but compared with DX750 or EX700, the overall effect of EX750 is indeed not small.
Matsushita has not yet announced the specific price of the EX750 series of televisions, but I believe it should not be too different from last year's DX750 series. I think this is another selling point for Panasonic. Matsushita is currently the only manufacturer still offering 3D TV capabilities. Although 3D functions have already been proven by the market to have no continuing value, Panasonic still seems to be still a small part. The crowd provides this functionality, and Panasonic also stated that in addition to the EX750, other models in 2017 will continue to support 3D TV capabilities.
The EX750 has a pure silver appearance, an X-shaped base, and a vertical angle and vertical adjustment. So if you think OLED TV is too expensive, Panasonic EX750 series LED TV is also a more cost-effective choice.
Like the 2016 models of DX802 and DX902, entering the 2017, the EX750 series is Panasonic's most high-end LED TV products. From the appearance, the silver frame plus X-type base, at first glance, is very eye-catching.
Among the 50-inch and 58-inch EX750 series, the most surprising is the design that can rotate and adjust the angle. We can adjust the screen to a suitable angle and switch between four different heights. So apart from this traditional way of putting on a TV cabinet, we can even put the TV directly on the ground.
However, considering the size and weight, the 65-inch EX750 only supports rotation and does not support height adjustment, while the 75-inch version does not support either.
For the EX750 series, the most important innovation is the so-called “digital zone enhanced dimming†technology, which enhances the LED TV area backlight adjustment function, and can output different amounts of light, and uses a new processing system. And this system can cover every corner of the TV, allowing the light source to reach all corners more effectively.
Panasonic seems to have had enough confidence in his own technology, and demonstrated it in an all-black room. The demonstration effect left a deep impression on me. In the dark environment, the dark and light details of the picture are distinct, and occasional elements such as car headlights become very prominent. Compared to the DX750 next to it, the EX750's processing performance is far superior.
What impresses me most is that the EX750's full backlighting mode is very stable, although there will be a bit of edge light leakage, but it is already very inconspicuous, and in the black scene, the EX750's performance is enough comparable with OLED TVs Now.
The EX750's screen panel is prone to reflective problems, especially in bright showrooms. Especially the backlight adjustment technology still has some problems under the maximum brightness, so the EX750 is more suitable for working in dark scenes, and the contrast is less obvious under light irradiation.
Although the maximum brightness of the EX750 is less noticeable in a bright environment, there is an important advantage that the EX750 has a separate backlight brightness adjustment function compared to the DX750. In the brightness adjustment function, because it is a 4K ultra-high-definition HDR TV, the peak brightness of the EX750 is only 550 nits, which is more obvious than the current requirement for the best value of 1000 nits.
Therefore, in a bright environment, there will be slight loss of hue and detail when the HDR mode is displayed on some screens.
Of course, the EX750 is more dynamic than the DX750 next to it. Coupled with the more eye-catching high APL values ​​and the pure black level, the EX750 is definitely better than the average HDR TV at its default settings.
In addition, the Panasonic EX750 is currently the only LCD TV to support the Studio Master HCX2 technology, which means that the EX750 has 3D Look Up, a technology that previously only appeared on the Panasonic flagship model. This technique is to provide a more accurate color performance than mid-range televisions.
At present, if we simply can't judge on the technology and effect, but compared with DX750 or EX700, the overall effect of EX750 is indeed not small.
Matsushita has not yet announced the specific price of the EX750 series of televisions, but I believe it should not be too different from last year's DX750 series. I think this is another selling point for Panasonic. Matsushita is currently the only manufacturer still offering 3D TV capabilities. Although 3D functions have already been proven by the market to have no continuing value, Panasonic still seems to be still a small part. The crowd provides this functionality, and Panasonic also stated that in addition to the EX750, other models in 2017 will continue to support 3D TV capabilities.
The EX750 has a pure silver appearance, an X-shaped base, and a vertical angle and vertical adjustment. So if you think OLED TV is too expensive, Panasonic EX750 series LED TV is also a more cost-effective choice.
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