Many people regard audio equipment as purely technical electronic products measured by indicators, just like cold instruments. actually not. Although audio equipment has cold, lifeless electronic components in its belly, although the specifications of audio equipment are filled with "Technical SpecificaTIons" expressed in numbers, the audio is used to replay "music" "(Music), not" Sound ". Sound is a rational, emotionless word, and Music, although expressed in Sound, uses Sound as a medium, but Music conveys human emotions and thoughts, so the purpose of replaying Music audio equipment is behind the culture , Embodies the designer's understanding of music and "bel canto". It is not difficult for us to verify and appreciate the culture and aesthetics behind audio from audio equipment in Europe and the United States.
Italians belong to the passionate and romantic Latin nation. They are artistically fond of luxurious, complex and fancy design and decoration, focusing on external sensory enjoyment. Therefore, among European and American furniture, Italian-style furniture looks the most luxurious, full of curves, floral decorations and exquisite details. Its beauty is directly appealing to the eyes, a little implied. The famous Italian speakers Sonus Faber, Chario and Opera not only look and feel as luxurious and exquisite as the consent furniture, but the sound also fully embodies the Italians' pursuit of Bel Canto: passionate and mellow, giving a sense of beauty. From the purely feverish spirit, I think that the sound of Dafan's beautiful speakers made in Italy is obviously beautified and unreal, but this reflects the relentless pursuit of Bel Canto and sensual beauty by the Italians.
The French, like the Italians and Spaniards, belong to the same Latin family. However, due to the influence of different historical cultures, the French also admire the sense of beauty while advocating lightness and subtlety. Therefore, French audio equipment, such as JM Lab, Micromega and YBA, etc., also have obvious tone modification, generally speaking, it is a little less luxurious than Italian audio equipment, and a little more light and elegant Gaul temperament.
In Germany, which advocates reason, power and majesty, the cultural aesthetics have changed again and are very different from the Latin nations of Italy, France and Spain. The character of German equipment is just like that of Germans. It is rigorous, precise, simple, rational, and sometimes even reaches the edge of "thinness". As you can notice, I used several descriptors: “rigorous†in Germany corresponds to the “freedom†advocated by the Latin people; “precision†in Germany corresponds to the “modification†of the Latin people; “simple†in Germany corresponds to Latin. The "luxury" of the nation; and the famous "rationality" of Germany, of course, is also opposed to the "sensibility" unique to the Latin nation.
The appearance and sound of German equipment generally do not pursue "sensory beauty" and do not pursue direct sensory enjoyment, but the production process of precision instruments and the accurate and calm voice have their own supporters. Of course, it is not to say that German equipment is only accurate and not aesthetic. In fact, the sound of German equipment is also beautiful, but it is a deeper beauty, a more internal and simple beauty, which is different from the external and luxurious beauty of Italy. From the workmanship of advanced German equipment, meticulous, every detail, every screw, every seam is fine and perfect, it is impeccable, but this workmanship is after all simple, and Italian equipment The workmanship that pursues floral decoration and appearance is completely different.
The same is true of high-end watches and Swiss-made audio, which is famous for Seiko machinery. Design and manufacture are as sophisticated as precision instruments. Even the smallest details are not overlooked. The sound is exquisite and delicate and rich in inner beauty. The brand is not much. , Ensemble, Ergo, etc., but the pieces are all fine, and each has its own style and is very tasteful.
Friends who like furniture must know that the style of Danish furniture is a representative school, and is known for its simplicity (sometimes simple and almost austere). If German furniture is already more unpretentious than Italian and French furniture, then Danish furniture is simply a typical art of "minimalism" (Minimalism). Due to the vast forest and developed wood industry, Denmark is not only famous for furniture production, but also famous for producing high-end speakers. From Dynaudio, Avance to SEK, its characteristics are basically the same: exquisite, calm, wide, fast, and dynamic. Generally speaking, they don't have the kind of "taste" of Italian or British speakers, but they are closer to the calmness of German equipment. I think this should be related to the cold climate, clear air and open geographical environment of this Nordic country.
"British Voice" and "American Voice" are well-known in the audiophile world and are the most familiar genre for domestic audiophiles. The characteristics of almost every audiophile can talk about it, I do n’t need to go into details here, but I think that the reason why the distinctive voice is formed is also the character of the people of the two countries, and the character, and Geography, climate, history and humanities are all closely linked. I have been to London, England, and I am more familiar with the United States. I feel that in Britain with a heavy and long-standing history, from the slightly old-fashioned old buildings, from the small living spaces, it is always gloomy. In the weather, it is not difficult for British people who are never wealthy but still maintain their gentlemanly style and their own taste to explain why British equipment is always so small, so elegant, and the sound is so warm and thick. It is as clear as German and Nordic equipment, but not as romantic and luxurious as Italian equipment. Hiding in a small, old cabin, using a small LINN record player, with a light and thin Rega amplifier, and pushing a very splendid SPENDOR or ROGERS speaker is indeed a unique atmosphere.
As for the United States, because it is a cultural hodgepodge, the origin of race and culture can be described as a collection of five lakes and four seas. It is more complex and free than any country in the world. Basically, any aesthetic style is available in the United States, and you can also find a friend. Traditionally, American equipment is generally considered to be bold, rough, focused on low-frequency strength, large in size, and powerful in appearance, but neither the appearance nor the sound is as delicate and delicate as European equipment. In fact, this comparison is also the style comparison between the American Symphony Orchestra and the European Symphony Orchestra. However, as I said earlier, the hodgepodge nature of American culture determines that it can accommodate a variety of completely different styles and aesthetic tastes, so in addition to JBL, AR, KOSS and KRELL, there are also clear and transparent Thiel speakers.
For Japanese audio, Chinese audiophiles often have prejudices. In the reviews of various magazines, things like "radish smell" and other unknown words always appear. I think that the Japanese have given the most technicality to audio equipment and invested the most in research and development of new technologies; some new amplifier circuits, digital technology, CD turntable structure, tweeters with ultra-wide frequency response, etc. are Japanese. Come out. It is precisely because of the emphasis on technicality that Japanese equipment is the most "valued", and the use of components and ICs is the most solid. Unlike some European equipment, the price is high, but the belly is simple and suspicious. However, just like the Japanese Symphony Orchestra with impeccable skills, but often ridiculed as "mechanical", Japanese equipment, due to excessive reliance on instrument testing and technical indicators, has insufficient knowledge or level of subjective tuning of the human ear. It seems not as spiritual and individual as European equipment. Technically speaking, it is blameless, but if it is used to replay classical music and other European traditional cultural accumulations, it is not as good as European equipment.
Of course, the above is only a broad conclusion, specific to the individual, and each has its own characteristics, and some equipment does not conform to the cultural characteristics of their own country. It is recommended that you go to the HI-FI audio website and forum to learn more about music and audio culture (for example, if you love the HIFI audio parity house, a special section will be developed to promote this knowledge), only then can we jump out Narrow small circle, so as to look at the development of the world's audio industry with an inclusive perspective. What we can see now is that with the frequent international cultural exchanges, as in other cultural fields, the general development trend of audio in various countries in recent years is: personality and national characteristics tend to be weakened, and generally tend to be fast, wide and light , The so-called "modern sound" of great dynamics. This is consistent with the trend of modern culture represented by "fast food culture" which advocates high efficiency and high speed. However, in the field of pure Hi-Fi, especially in the field of Hi-End, various countries and brands still show obvious personality characteristics, although more or less will be affected by some "modern sound" (such as the traditional British sound direction (The change of "New England Voice" reflects this effect). This is of course a good thing. The so-called blooming flowers and the controversy of hundreds of schools. If all brands come out with similar sounds, what fun is there to have a fever?
Italians belong to the passionate and romantic Latin nation. They are artistically fond of luxurious, complex and fancy design and decoration, focusing on external sensory enjoyment. Therefore, among European and American furniture, Italian-style furniture looks the most luxurious, full of curves, floral decorations and exquisite details. Its beauty is directly appealing to the eyes, a little implied. The famous Italian speakers Sonus Faber, Chario and Opera not only look and feel as luxurious and exquisite as the consent furniture, but the sound also fully embodies the Italians' pursuit of Bel Canto: passionate and mellow, giving a sense of beauty. From the purely feverish spirit, I think that the sound of Dafan's beautiful speakers made in Italy is obviously beautified and unreal, but this reflects the relentless pursuit of Bel Canto and sensual beauty by the Italians.
The French, like the Italians and Spaniards, belong to the same Latin family. However, due to the influence of different historical cultures, the French also admire the sense of beauty while advocating lightness and subtlety. Therefore, French audio equipment, such as JM Lab, Micromega and YBA, etc., also have obvious tone modification, generally speaking, it is a little less luxurious than Italian audio equipment, and a little more light and elegant Gaul temperament.
In Germany, which advocates reason, power and majesty, the cultural aesthetics have changed again and are very different from the Latin nations of Italy, France and Spain. The character of German equipment is just like that of Germans. It is rigorous, precise, simple, rational, and sometimes even reaches the edge of "thinness". As you can notice, I used several descriptors: “rigorous†in Germany corresponds to the “freedom†advocated by the Latin people; “precision†in Germany corresponds to the “modification†of the Latin people; “simple†in Germany corresponds to Latin. The "luxury" of the nation; and the famous "rationality" of Germany, of course, is also opposed to the "sensibility" unique to the Latin nation.
The appearance and sound of German equipment generally do not pursue "sensory beauty" and do not pursue direct sensory enjoyment, but the production process of precision instruments and the accurate and calm voice have their own supporters. Of course, it is not to say that German equipment is only accurate and not aesthetic. In fact, the sound of German equipment is also beautiful, but it is a deeper beauty, a more internal and simple beauty, which is different from the external and luxurious beauty of Italy. From the workmanship of advanced German equipment, meticulous, every detail, every screw, every seam is fine and perfect, it is impeccable, but this workmanship is after all simple, and Italian equipment The workmanship that pursues floral decoration and appearance is completely different.
The same is true of high-end watches and Swiss-made audio, which is famous for Seiko machinery. Design and manufacture are as sophisticated as precision instruments. Even the smallest details are not overlooked. The sound is exquisite and delicate and rich in inner beauty. The brand is not much. , Ensemble, Ergo, etc., but the pieces are all fine, and each has its own style and is very tasteful.
Friends who like furniture must know that the style of Danish furniture is a representative school, and is known for its simplicity (sometimes simple and almost austere). If German furniture is already more unpretentious than Italian and French furniture, then Danish furniture is simply a typical art of "minimalism" (Minimalism). Due to the vast forest and developed wood industry, Denmark is not only famous for furniture production, but also famous for producing high-end speakers. From Dynaudio, Avance to SEK, its characteristics are basically the same: exquisite, calm, wide, fast, and dynamic. Generally speaking, they don't have the kind of "taste" of Italian or British speakers, but they are closer to the calmness of German equipment. I think this should be related to the cold climate, clear air and open geographical environment of this Nordic country.
"British Voice" and "American Voice" are well-known in the audiophile world and are the most familiar genre for domestic audiophiles. The characteristics of almost every audiophile can talk about it, I do n’t need to go into details here, but I think that the reason why the distinctive voice is formed is also the character of the people of the two countries, and the character, and Geography, climate, history and humanities are all closely linked. I have been to London, England, and I am more familiar with the United States. I feel that in Britain with a heavy and long-standing history, from the slightly old-fashioned old buildings, from the small living spaces, it is always gloomy. In the weather, it is not difficult for British people who are never wealthy but still maintain their gentlemanly style and their own taste to explain why British equipment is always so small, so elegant, and the sound is so warm and thick. It is as clear as German and Nordic equipment, but not as romantic and luxurious as Italian equipment. Hiding in a small, old cabin, using a small LINN record player, with a light and thin Rega amplifier, and pushing a very splendid SPENDOR or ROGERS speaker is indeed a unique atmosphere.
As for the United States, because it is a cultural hodgepodge, the origin of race and culture can be described as a collection of five lakes and four seas. It is more complex and free than any country in the world. Basically, any aesthetic style is available in the United States, and you can also find a friend. Traditionally, American equipment is generally considered to be bold, rough, focused on low-frequency strength, large in size, and powerful in appearance, but neither the appearance nor the sound is as delicate and delicate as European equipment. In fact, this comparison is also the style comparison between the American Symphony Orchestra and the European Symphony Orchestra. However, as I said earlier, the hodgepodge nature of American culture determines that it can accommodate a variety of completely different styles and aesthetic tastes, so in addition to JBL, AR, KOSS and KRELL, there are also clear and transparent Thiel speakers.
For Japanese audio, Chinese audiophiles often have prejudices. In the reviews of various magazines, things like "radish smell" and other unknown words always appear. I think that the Japanese have given the most technicality to audio equipment and invested the most in research and development of new technologies; some new amplifier circuits, digital technology, CD turntable structure, tweeters with ultra-wide frequency response, etc. are Japanese. Come out. It is precisely because of the emphasis on technicality that Japanese equipment is the most "valued", and the use of components and ICs is the most solid. Unlike some European equipment, the price is high, but the belly is simple and suspicious. However, just like the Japanese Symphony Orchestra with impeccable skills, but often ridiculed as "mechanical", Japanese equipment, due to excessive reliance on instrument testing and technical indicators, has insufficient knowledge or level of subjective tuning of the human ear. It seems not as spiritual and individual as European equipment. Technically speaking, it is blameless, but if it is used to replay classical music and other European traditional cultural accumulations, it is not as good as European equipment.
Of course, the above is only a broad conclusion, specific to the individual, and each has its own characteristics, and some equipment does not conform to the cultural characteristics of their own country. It is recommended that you go to the HI-FI audio website and forum to learn more about music and audio culture (for example, if you love the HIFI audio parity house, a special section will be developed to promote this knowledge), only then can we jump out Narrow small circle, so as to look at the development of the world's audio industry with an inclusive perspective. What we can see now is that with the frequent international cultural exchanges, as in other cultural fields, the general development trend of audio in various countries in recent years is: personality and national characteristics tend to be weakened, and generally tend to be fast, wide and light , The so-called "modern sound" of great dynamics. This is consistent with the trend of modern culture represented by "fast food culture" which advocates high efficiency and high speed. However, in the field of pure Hi-Fi, especially in the field of Hi-End, various countries and brands still show obvious personality characteristics, although more or less will be affected by some "modern sound" (such as the traditional British sound direction (The change of "New England Voice" reflects this effect). This is of course a good thing. The so-called blooming flowers and the controversy of hundreds of schools. If all brands come out with similar sounds, what fun is there to have a fever?
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