Before interviewing He Baoli, our understanding of him was limited to the design director of Yuanguang Lighting, and Xu Qinghui, the director of design design of Kebo Lighting, was the proud student. In addition, He Baoli is for us, just a strange name, just a young man with a design supervisor title on the business card.
Are you after 80?
I was born on the tail of the 70s, forget it, huh, huh.
Feel free to ask questions and let the reporter feel gracious. The similar age makes our communication natural and smooth. From lighting design to leisure life, the doubts that existed in our minds before the interview were all snarled in the brisk conversation rhythm.
When he was a child, He Ba Li should be a child who is somewhat different from ordinary people. When other children were still in kindergarten, He Boli, who was 4-6 years old, had already completed all the courses in elementary school under the strict guidance of his parents. When other children were still reading "Snow White" with relish, He Bo Li before the age of 10 Almost all the masterpieces have been read; and when the children in their 10s have just read the first masterpiece of their lives, He Baoli has read a lot of biographies and started to get professional books on business.
After graduating from English, he said that he was lucky to abandon En.
Following the legendary childhood trajectory, under the guidance of his father, He Baoli, under the guidance of his father, chose English majors for his strong grasp of language and his strong interest in literature. After graduation, he went to a foreign trade company and worked as a translator and documentary. For graduates, this was originally a good career choice. However, He Baoli, who did not take the usual path, only let this hard and boring work last for three months. After thinking about it, he switched to an engineering company and started lighting. Apprenticeship.
The reason why I chose lighting is actually related to my childhood experience. He Ba Li said that I started practicing calligraphy at the age of four, and I felt strongly about black and white, light and dark. For me, light and shadow are two complementary concepts, and the change of light and fat is very subtle.
However, there is still a huge gap between hobbies and professions. In the first half of the year, He Baoli’s work is very hard, and overtime is more common. On that hard day, He Baoli profoundly understood the meaning of the hard-working and hard-working words that his father often hangs on his lips. Lighting designers often work overtime, but He Baoli, who had experienced the apprenticeship, easily said frankly that it is necessary and important for a design practitioner to work hard. When I deal with many design companies and owners, I find that architects and space designers are very hard and often work overtime. In comparison, lighting designers are still happy. My choice is fortunate.
I started the lighting design and seemed to be disconnected from the original English. He Ba Li said that English is an indispensable tool for his lighting design. With his own language advantage, He Baoli pays more attention to foreign design concepts and trends than his peers. He also receives a wider range of lighting information channels than the average designer.
During the conversation, He Baoli emphasized more than once that absorption is very important for lighting design. Just like practicing calligraphy, it is impossible to be self-contained from the beginning. To form your own body and body, you must start from Linyi. Linyi can be freely played on a certain basis to gradually form its own style. English is an important tool for his new information in Heiner. Reading foreign materials, magazines, browsing foreign websites and going abroad for study are important ways for He Baoli to accumulate lighting experience.
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